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“Long Tall Sally”, a veritable cornerstone of rock and roll history, and a song forever intertwined with the legend of the King himself, Elvis Presley. Released in 1956, on the heels of Elvis’s meteoric rise to fame, “Long Tall Sally” wasn’t even an original Presley composition.
Originally penned by the songwriting trio of Robert Blackwell, Enotris Johnson, and the flamboyant pioneer of rock and roll, Little Richard, the song had already become a rhythm and blues sensation before landing in Elvis’s capable hands.
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But what Elvis did with “Long Tall Sally” was nothing short of transformative. He took the raw energy and playful storytelling of the original, and infused it with his own brand of youthful charisma and undeniable swagger. The result? A cultural phenomenon.
“Long Tall Sally” became an anthem for the burgeoning rock and roll generation, a song that spoke to a new kind of youthful rebellion and carefree joy.
The song itself is a delightful romp, a story fueled by playful gossip and innuendo. The lyrics follow a narrative about “Uncle John” caught red-handed with a woman named “Sally,” a woman clearly captivating enough to warrant the title “Long Tall Sally.”
Elvis, with his signature playful growl and suggestive winks, delivers the lyrics with an infectious energy. The call-and-response sections with his backing vocalists, the Jordanaires, add another layer of playful tension, urging the audience to join in the fun.
But “Long Tall Sally” is more than just a catchy story. It’s a masterclass in rock and roll performance. Scotty Moore’s scorching guitar licks lay down a driving foundation, while Bill Black’s thumping bass and D.J. Fontana’s dynamic drumming propel the song forward with an irresistible rhythm. Elvis himself adds flourishes on piano, further showcasing his musical versatility.
The impact of “Long Tall Sally” is undeniable. It became a staple of Elvis’s live shows, a song guaranteed to ignite a frenzy in the audience. It helped solidify his reputation as a performer who could captivate a crowd with sheer magnetism and raw talent.
The song’s influence can be heard across generations of rock and roll, a testament to its enduring power and infectious spirit. So, when you put on “Long Tall Sally”, you’re not just listening to a song, you’re experiencing a crucial piece of rock and roll history, delivered with the inimitable charm of the King himself.
“Long Tall Sally”
He says he has the blues but
He has a lotta fun
Oh baby, yes baby, whoo-oo-oo-oo baby
And nobody cares if she’s long and tall
Oh baby, yes baby, whoo-oo-oo-oo baby,
I’m having me some fun tonightWell, I saw uncle John
He saw Aunt Mary comin’
And he ducked back in the alley
Oh baby, yes baby, whoo-oo-oo-oo baby
I’m havin’ some fun tonight